Robert Grunenberg

Exhibition View © Roman März

In the past ten years Agostino Iacurci has moved fifteen times. Each time the same objects came along: a vase, a chair, a lamp, a few plants that should have given up around the third move. None was chosen to be painted. They refused to be left behind and became a vocabulary. The exhibition title has two authors. Vonnegut published a story under it in 1953, taking the words from Macbeth, where “tomorrow, and tomorrow, and tomorrow” creeps in this petty pace from day to day. Shakespeare meant the weight of repetition. Vonnegut made a comedy of overcrowding: a drug ends ageing, nobody dies, so…